With near 2 decades of history behind Telegael including a number of prestigious awards, how have you guys adapted to change within the production of film and animation, has it been easier or harder in recent times to take on animated productions?
THE GLOBAL MARKET IS CHANGING CONSTANTLY AND OVER THE LAST 10 YEARS IN PARTICULAR, THE NEED FOR INTERNATIONALLY CO-PRODUCING HAS BECOME HUGELY IMPORTANT. THE AREA OF BROADCASTING HAS CHANGED SO MUCH, AND GONE ARE THE DAYS WHERE A BROADCASTER WILL PAY FOR A SERIES IN IT’S ENTIRETY. I FEEL PRIVILEGED TO BE ABLE TO WORK WITH PEOPLE FROM DIFFERENT PARTS OF THE WORLD AND TO WORK TOGETHER AS A TEAM TO CREATE AMAZING ANIMATED SERIES. THE HUGE ADVANCES IN TECHNOLOGY ARE OBVIOUSLY EXTREMELY IMPORTANT IN ALLOWING US TO WORK LIKE THIS.
How does Telegael manage to keep work going on out in Spiddal? Being decentralised, what challenges do you have to overcome?
THE SETTING OF A COMPANY IS BECOMING LESS AND LESS IMPORTANT AS TECHNOLOGY ADVANCES. WE HAVE THE ADVANTAGE OF ONLY BEING 10 MILES FROM GALWAY CITY. MANY OF OUR INTERNATIONAL CLIENTS IN PARTICULAR WHEN THEY VISIT US, FIND US COMFORTING AND ENJOYABLE IN AN OLD BUILDING IN A SMALL COUNTRY VILLAGE!
Teaming up with other production houses must be hard, how do you keep strong and friendly communications going through all your partnered projects so that the projects don’t fall to pieces? and how many projects does Telegael enjoy in development at any one time?
WE ARE LUCKY TO HAVE EXPERIENCE IN DEALING WITH PARTNERS IN IRELAND AND INTERNATIONAL. WE HAVE A STRONG POLICY OF DELIVERING A VERY HIGH STANDARD TO OUR CLIENTS AND OUR TRACK RECORD IS VERY IMPORTANT. WE WOULD BE WORKING ON UP TO 10 PROJECTS IN VARIOUS STAGES AT ANY ONE TIME.
Do you have any exciting productions in development that you would like to tell us about?
WE HAVE A PROJECT ENTITLED “KATIE & ROOKIE” WHICH IS A PRE-SCHOOL SHOW WHICH WE HOPE TO MOVE INTO PRODUCTION IN 2009. GIVE THIS LINK A MINUTE TO UPLOAD http://www.zero-capital.com/pages/Katie.pdf
When producing a lot of children’s productions, how do you reach the ‘global kid’ of today and what considerations are put in place for the level of humour and education you guys are targeting?
IT IS EXTREMELY IMPORTANT THAT PROJECTS HAVE INTERNATIONAL APPEAL BUT THANKFULLY, KIDS TEND TO BE PRETTY MUCH THE SAME THE WORLD OVER, WITH THE SAME VALUES AND INTERESTS.
What has kept Telegael in business through such a creative and competitive industry? How do you feel you guys are going to pan out within this much talked about recession?
TELEGAEL WORKS ON A VERY TIGHT BUSINESS MODEL AND THIS HAS STOOD TO US. LIKE ANY COMPANY, WE HAVE OUR UP AND DOWNS BUT HAVE MANAGED TO STAND THE TEST OF TIME.